See what I did there?
Thomas Kinkade (1958-2012) was best known for his paintings of picturesque landscape, idyllic cottages, and main street images, and of course, for his superb use of “light.” His work was not widely received throughout the art world, due to his simplistic, “unoriginal” depictions of mere landscapes.
But in fact, Kinkade’s work is not simplistic at all—at least not in my opinion—and while I may not be a trained art critic, I know this much is true: his work, full of color, light, and life comforts me on a far deeper level than any canvas portraying nothing more than a red circle. Besides, he created his own kick ass empire.
This post is not a biography on Kinkade, nor is it an analysis of his artwork. This is a Serene Saturday after all, and my purpose is to show why I find Kinkade’s work wildly comforting.
The prints of course, are not cheap, (especially since his death), but I do have a framed painting and tapestry of two of my favorite images hanging in my bedroom.
Kinkade’s work has a lifelike quality to it in the sense that each painting evokes a response from all five senses. When I look at a Kinkade painting, I’m not just seeing it, but hearing it, feeling it, smelling it, tasting it. If there is water I can hear it moving, and if there are flowers I can sense the waft of sweetness permeating the area. I can feel the sunlight on my skin.
It’s as if I am there. Like in Mary Poppins, when she jumps into one of Bert’s chalk sketches on the sidewalk.
I also have two coffee table type books that become my companions during dark periods.
No joke, I’ve actually felt my body relax as I’ve flipped through these pages.
Below are two of my favorites:
How quiet this scene must be if two deer are lurking about. I can make a whole story from this picture. It’s Sunday night. A college professor is about to start a new a semester and is feeling a bit uneasy. He’s alone in his winter cottage making last minute preparations. The sight of the two deer is a positive omen. Life goes on. Nature prevails. It all will be alright.
Graceland! If you look closely you can see Elvis hand-in-hand with a girl, who I believe Kinkade is portraying as Priscilla. Art is a projection of course; we will never have the opportunity to witness to Elvis leaving his mansion, unseen. Only through the imagination of an artist is it even remotely possible.
Which artists comfort you?