Tag Archives: Full House

Serene Saturdays: The Power of Photographs

A few years back, I started a habit of “swiping” old family photographs from the upstairs loft in my paternal grandparents’ house. My grandmother was an old pro at organizing decades of photos—even having separate envelopes for pictures of my sister, brother, and me. I’d put the photos in albums according to year and occasion, and stick the miscellaneous in small, hearty Victoria’s Secret bags (whoever engineered those bags is a genius).

When Grandma died in October 2011 I nearly emptied her dresser drawers full of memories captured on film. I still don’t know what to do with them all.

There is something about a still-shot photograph, a physical photograph that symbolizes the life cycle at its best. A photograph reveals its age. Whether it’s a black and white or a Polaroid, they can capture the essence of an era.

Digital photography is phenomenal, don’t get me wrong. I love that I can view a picture a mere instant after its taken, and decide on the spot whether or not I want to “keep” it. I love that there are Photoshop features that allow me to remove the red from my eyes or the curves from my waistline. And photo bombers beware: if need be, I will remove you.

But with all the technological advances, the images can appear timeless—and I don’t necessarily mean that in a good way. I sometimes look at pictures from 2003 that don’t necessarily look different from my 2013 pictures. I look older (and wiser) of course, but the picture itself doesn’t necessarily reveal anything to me, whereas if I look at a picture from 1991, I can see the period unravel in front of me. I’m right back in third grade. I can see an episode of Full House on my TV screen. I can hear Phil Collins on the radio. I can smell the chocolate chip cookies I’m baking with Grandma. It’s all right there in photo.

There’s something about capturing a fleeting moment on film and not being able to do anything about it once the camera clicks. No previewing or nitpicks, or surgical procedures. Just whatever image materializes, forever.

Here are five of my favorite photographs from my collection that help remind me who I am and where I came from—even long before I was born:

My paternal grandparents c. 1948. I love this picture of them. So playful.

My paternal grandparents c. 1948. I love this picture of them. So playful.

My maternal grandparents in 1947, the same year they got married.

My maternal grandparents in 1947, the same year they got married.

My paternal grandfather and my uncle c. 1954. My "Papia" had been a drummer in swing band until his death in 2008

My maternal grandfather and my uncle c. 1954. My “Papia” had been a drummer in swing band until his death in 2008

My mom and dad c. 1978. See how these photographs reveal their eras?

My mom and dad c. 1978. See how these photographs reveal their eras?

That's me at age 8? Likely 1989 or 1990. See, I was always an "Intrinsic Writer"

That’s me at age 8? Likely 1989 or 1990. See, I was always an “Intrinsic Writer”

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Birds of a Feather: Your Characters & Their Friends

It’s worth noting who your characters “hang out” with. One of my favorite sayings, and I’ll paraphrase, goes something like this: You are who you attract.

Your protagonist’s choice of buddies can—surprise!—aid in the characterization process.

Friends
Merelize → in People

Some questions to consider when creating your character’s “Bestie”:

  1. Is the friend a secondary character? If so, how should he or she be developed throughout the story?
  2. Does the story have more than one main character, and are the characters friends? In other words, is the friendship the focus of the story?
  3. Is the friendship already established at the beginning, or do the characters meet sometime during the course of the story?
  4. What purpose does the friend serve? A helpful hand? Comic relief? Is he/she a drinking buddy? Partner in crime?
  5. Here’s the big one: What’s the dynamic like? Do the two (or more) personalities mesh well? Is a realistic pairing? Do they connect on some level? A hardened biker and a self-involved metrosexual can be friends…so long as there is some common ground. It’s the writer’s job to make it work.

Here are some common story friendship dynamics that you can bend, blend, and harmonize:

1. The Colorful Sidekick:  The goof off. The king’s fool. Think Kimmy Gibbler from Full House. This is a friend who adds some ‘flavor.’ He is audacious, brazen, comical, and flamboyant.

Important: Never underestimate the colorful sidekick. I’ve found in my own writing as well as the writing of others, that despite the personal flaws, these types often prove to be extraordinary friends in the end.

Favorite literary example: Dominick Birdsey’s cheeky, foolhardy friend Leo Blood from Wally Lamb’s I know this Much is True.

 2. The Charismatic Crony: Your character both loves and hates her. Best friends, yes, but in most cases, the charismatic crony comes out on top. This is the prettier friend, the skinnier friend, the smarter friend, the more popular friend, etc. We all know the type. And we’re all jealous.

Important: It is possible for this friend to be innocent—she may not be fully aware of her prowess. In other cases, however, she is simply one backbiting buddy.

Favorite literary example: I have two. Gene Forrester’s larger-than-life friend Phineas from John Knowles’s A Separate Peace; Rachel’s alluring childhood chum Darcy from Emily Giffin’s Something Borrowed.

3. The Caring Cohort: Quite simply, this is the friend who picks up your character when he or she falls. In fact, in some cases, this is the friend who sacrifices. Donates a kidney. Kills another. Gives up his own pleasure…all in the name of his friend.

Important: Any “friend” type that I’ve described here can lend a helping hand. The caring cohort goes a bit further.

Favorite literary example: George, who cares for mentally-handicapped Lennie Small during the Great Depression in John Steinbeck’s Of Mice and Men. (See my most recent “Old School Sunday” post). Also, although this isn’t literature, in West Side Story Tony kills the love of his life’s brother for stabbing his friend, Riff, to death. Now that’s the kind of friend I’m talking about here. Not to mention good old Romeo, who slain Juliet’s cousin, Tybalt for slaughtering his own friend, Mercutio.

4. The Best Friend: They say if you fall down, a good friend will help you up; your best friend will laugh at you. It’s true in life and it’s true in fiction. These are two characters who are practically one. Often, they will go through various life changes, and may struggle with their relationship; but in the end, they usually find their way back to each other.

Important: Generally speaking, this kind of friendship will require two main characters. They will have separate lives, but be forever tied to one another. Often the foundation of the story is the friendship itself.

Favorite literary example: Kate and Tully, whose lives (both separately and together) go through many transitions, and face many obstacles in Kristin Hannah’s Firefly Lane. Actually, the book reminded me a lot of the movie Beaches, starring Bette Midler and Barbara Hershey.

I’d like to leave you with some links from Writer’s Digest, particularly if your protagonist’s friend falls within the ‘minor character’ category:

What is a Minor Character: Understanding the Minor Characters’ Role

Questions to Ask (& Strengthen) Your Minor Characters

What are you favorite friendship dynamics in literature? Film?Television? How do your characters relate to each other? Can’t wait for the comments!

 

 

 

 

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Filed under Characters, Plot & Structure, Prompts & Writing Ideas, The Writing Life, Writing Process, Writing Tips